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AADYA SHAKTI


Adya Dhyanam Mantra is a meditation hymn for Aadya Kali used during Puja.

GODDESS KALI

Adya Shakti
AUM
KRING KALIKAYE NAMAH
AUM


Kring is the bij-akshar of the divine Mother Kali.

Nikashaw-prastara-shyamang shirshay mukuta-manditaam.
Lalatey netra-chinhena trinetri-krita- bigrahaam.
Aghoraang padma-patraava bishaala-smita-lochanaam.
Sukrishna prajalla-drupa netra-dwaya-kaninikaam.
Drishtyaa sakarunaa-vaasaang jataa-tritaya-shovitaam.
Suprasanna mukhaad-vojang naanaa-bhushana-bhushitaam.
Urdhay baama-karay khargang nrimunda bibhrati-madhah.
Abhayancha barang dakhsha-karayo kathita-kramam.
Lola-jihvaang padaalambi-mundamaala-bimanditaam.
Saalang-kaarang baraa-kaarang kara-kaanchi-bibarjitaam.
Padmaakriti-shilaapithay shyaana-Shiba-bakhshashi.
Sthitang-dakhsha-padang nasya-tadah-kharou paranm padam.
Ameyam-abhayang debing para-bramha-swarupinim.
Dhyaey-Adyang manaa-adyantang chitra-rupa dharang
-Paraam.

She is dark as a black rock, wearing a jeweled crown.
The sign of a third eye is on her forehead,
She, the Goddess with three eyes.
Like lotus petals, Her eyes are large,
They shine like two bright jewels.
Her glance showers compassion.
Three locks of matted hair adorn her.
Her face radiates contentment and,
She is gowned with much splendor.
Her raised left hand holds a sword,
a human head in the lower one.
Her right hands grant sanctuary and boons to all.
Her tongue shows between her lips,
the garland of skulls hanging to her feet
Bejeweled, of heavenly form, there is no skirt of human arms.
She stands on a lotus base,
Her right foot on the chest of Shiva sprawled at Her feet.
Her other foot is on his right thigh.
She grants freedom from fear.
She the Goddess, is the expression of the ultimate Brahman. Meditate on Adya, the infinite,
She who embodies the extreme beauty in form.


 

 

Adya / Aadya -A name of the Goddess Durga meaning: The First - Mother Earth
Goddess Durga - Kali - Adya ShaktiKali: The Dark Mother
Fearful goddess with a heart of a mother - Kali's guises and names are diverse. Shyama, Adya Ma, Tara Ma and Dakshina Kalika, Chamundi are popular forms. Then there is Bhadra Kali, who is gentle, Shyamashana Kali, who lives only in the cremation ground, and so on.

The love between the Divine Mother and her human children is a unique relationship. Kali, the Dark Mother is one such deity with whom devotees have a very loving and intimate bond, in spite of her fearful appearance. In this relationship, the worshipper becomes a child and Kali assumes the form of the ever-caring mother.

"O Mother, even a dullard becomes a poet who meditates upon thee raimented with space, three-eyed, creatrix of the three worlds, whose waist is beautiful with a girdle made of numbers of dead men's arms..."

Kali (Adya Shakti) is the fearful and ferocious form of the mother goddess. She assumed the form of a powerful goddess and became popular with the composition of the Devi Mahatmya, a text of the 5th - 6th century AD. Here she is depicted as having born from the brow of Goddess Durga during one of her battles with the evil forces. As the legend goes, in the battle, Kali was so much involved in the killing spree that she got carried away and began destroying everything in sight. To stop her, Lord Shiva threw himself under her feet. Shocked at this sight, Kali stuck out her tongue in astonishment, and put an end to her homicidal rampage. Hence the common image of Kali shows her in her mêlée mood, standing with one foot on Shiva's chest, with her enormous tongue stuck out.
Kali is represented with perhaps the fiercest features amongst all the world's deities. She has four arms, with a sword in one hand and the head of a demon in another. The other two hands bless her worshippers, and say, "fear not"! She has two dead heads for her earrings, a string of skulls as necklace, and a girdle made of human hands as her clothing. Her tongue protrudes from her mouth, her eyes are red, and her face and breasts are sullied with blood. She stands with one foot on the thigh, and another on the chest of her husband, Shiva.

Kali's fierce form is strewed with awesome symbols. Her black complexion symbolizes her all-embracing and transcendental nature. Says the Mahanirvana Tantra: "Just as all colors disappear in black, so all names and forms disappear in her". Her nudity is primeval, fundamental, and transparent like Nature — the earth, sea, and sky. Kali is free from the illusory covering, for she is beyond the all maya or "false consciousness." Kali's garland of fifty human heads that stands for the fifty letters in the Sanskrit alphabet, symbolizes infinite knowledge. Her girdle of severed human hands signifies work and liberation from the cycle of karma. Her white teeth show her inner purity, and her red lolling tongue indicates her omnivorous nature — "her indiscriminate enjoyment of all the world's 'flavors'." Her sword is the destroyer of false consciousness and the eight bonds that bind us. Her three eyes represent past, present, and future, — the three modes of time — an attribute that lies in the very name Kali ('Kala' in Sanskrit means time). The eminent translator of Tantrik texts, Sir John Woodroffe in Garland of Letters, writes, "Kali is so called because She devours Kala (Time) and then resumes Her own dark formlessness." Kali's proximity to cremation grounds where the five elements or "Pancha Mahabhuta" come together, and all worldly attachments are absolved, again point to the cycle of birth and death. The reclined Shiva lying prostrate under the feet of Kali suggests that without the power of Kali (Shakti), Shiva is inert.

Aadya Stotra

Om, namoh Adyayi Om, salutation to Adya.
Srinu batsya prabakshyami Adyastotram mahaphalam Dear child, listen to the narration of this divine hymn to Adya.
Ja patheta satatam bhaktya sa eba Bishnuballava. One who recites it regularly is a favourite of Vishnu.
Mrityu byadhi vayam tasya nashti kinchita kalaujuge It destroys the fear of death and disease in this present era.
Aputra lavate putram tripaksham srabanam jadi. The barren conceive after listening for three fortnights.
Dou masha bandhanamukti biprabaktata srutam jadi One is freed, by hearing a brahmin recite for two months .
Mritabatsha jibatbatsha shanmasam srabanam jadi. Women having stillbirths bear living children after six months.
Noukayam sankate judhhe pathana jaya mapnuyat Chanting protects one over water, during wars and in difficult times.
Likhitwa sthapayeta gehe naAgniChouraVayam kachhita. Keeping a copy at home removes the fear of fire and robbery,
Rajasthane jayi nityam prassanna savadevata. It brings success with royalty and pleases all the gods.
Om Hrim. Bramhani Bramhaloke Om! Hrim! You are Bramhani, consort of Bramha in Bramhaloke
 Cha Baikunthe sarvamangalla You are Sarvamangalla in Baikuntha, the house of Bishnu,
Indrani amarabatyambika varunalaye Indrani, consort of Indra in Amaravati, Ambika in the abode of Barun,
Jamalaye Kalarupa, Kuberabhavane Shuva You are Kala in the land of Yama, Subha in that of Kuber
Mahanandagnikone cha Bayabam Mrigabahini Mahananda in the SouthEast, Mrigabahini in the NorthWest
Nairityang Raktadanta cha Aishanyang Shuladharini. Raktadanta in the SouthWest, Suladharini in the NorthEast.
Patale Vaishnabirupa, Singhale Devamohini You are Vaishnabi in the netherlands, Devamohini in Singhal,
Surasha cha Manidwipe, Lankayam Bhadrakalika. Surasha in Manidwip, Bhadrakalika in Lanka,
Ramweshari Setubandhe, Vimala Purushowtamme, Rameswari at the Cape , Vimala at Puri,
Viraja Oudradeshe cha Kamakhya Nilaparbate. Viraja in Orissa, Kamakhya in the blue mountains of Assam
Kalika Bangadeshe cha Ayodhyaam Maheswari, You are Kalika in Bengal, Maheswari in Ayodhya,
Varanasyam Annapurnam Gayakhshetre Gayeswari. Annapurna in Benaras, Gayeswari in Gaya.
Kurukshetre Bhadrakali, Braje Katyaani Para Bhadrakali at Kurrukshetra, Katayani in Braja, the land of Krishna.
Dwarakayam Mahamaya Mathurayam Maheswari Mahamaya in Dwaraka, Maheswari in Mathura.
Khuddha tang Sarva-bhutanam, Bela tang sagarasya cha You are hunger in all living beings, you are the shore of the oceans,
Nabami Suklapakhsasya Krisnasaikadasi para. You are the ninth lunar day of the waxing moon, and the eleventh of the dark fortnight.
Dakshasya Duhita Devi DakshaJagnaVinasini You are Daksha’s daughter Parvati, Destroyer of Daksha’s sacrificial rites.
Ramasya Janaki tam hi Ravana DhwamshaKarini You are Janaki, the consort of Rama - You are the one who destroys Ravana
ChandaMundaBadhe Devi RaktwaBijaBinashini You demolish Chanda and Munda and kill the demon Raktabija
NishumbhaSumbhaMathani MadhuKaitavaGhatini. You suppress Sumbha and Nishumbha - You are the killer of Madhukaitava.
Bishnubhakti prada Durga You are Durga, infusing devotion to Vishnu
Sukhada Mokshada sada You are the dispenser of pleasure and salvation.
AdyaStabamMimam Punnam Ja pathet satatam Nara One who regularly recites this sacred hymn to Adya
SarvyaJaravayam na syat sarvyabyadhi binashanam Is free of fear of all fever and illness
Kotitirtha Phalalam tasya lavate natra samshaya. He reaps the fruits of visiting millions of sacred shrines.
Jaya me chagrata patu Bijya patu prishtthata May Jaya protect me from the front, Vijaya protect me from behind,
Narayani sirshadeshe Sarvangey Singhabahini Narayani in the region of the head and Singhabahini over the rest of the body,
Sivadyuti Ugrachanda Pratange Parameswari Sivadyuti, Ugrachanda, Parameswari protect my limbs.
Bishalakhee Mahamaya Kaumari Sankhini Siba Lotus eyed Mahamaya, Kaumari, Sankhini, Shiba,
Chakrini Jayadatri Cha Ranamattwa Ranapriya Chakrini, Jayadatri embroiled in battle,
Durga Jayanti Kali cha Bhadrakali Mahodari Durga, Jayanti, Kali, who is Bhadrakali, Mahodori
Narasinghi cha baarahi Sidhidatri Sukhaprada Narasinghi, Varahi, Donor of powers and happiness,
Bhyankari Maharoudri Mahabhyabinashini Bhayankari, Maharoudri, Dispeller of the greatest fears.
Iti Brahmajyamale BrahmaNaradaSambade Here ends this dialouge between Bramha and Narada as described in the BramhaYamala.
Adyastotram Samaptam. So ends this hymn to Adya.

 

Devi Maa - Aadya ShaktiKali, the Primordial Mother Goddess of Hindu Tantric tradition, has her origins in India's archaic matriarchal culture. Her radiant blackness protected the dark-skinned tribes who worshiped her and inspired fear and dread in their enemies. She was, originally, a warrior goddess, worshipped with blood sacrifice and offerings of flesh and liquor. She was always viewed as all-powerful, awesome, as mysterious as night, fierce, passionately sensual and demanding. Yet to her worshippers she was always the all-merciful Protectress, filled with sublime love and compassion, a Granter-of-boons. Above all, Dark Kali was and still is Kali Ma, "Kali the Mother", Adya Shakti, the Cosmic Female Power, always available for Her devotees, ready to remove their suffering, their negative Karma, their fear of time (Kala) and death, always ready to bestow bliss and liberation.

Variations on the name Kali for female divinity can be found in many ancient cultures outside India, which suggests that in the distant past a common or related matriarchal religion pervaded much of the world. For example, in pre-historic Ireland people worshipped a powerful goddess known as Kele (her priestesses were known as Kelles), in ancient Finland there was the all-powerful goddess Kal-ma, in the Sinai region of the Middle East there was the goddess Kalu, and in ancient Greece an aspect of the goddess was known as Kalli. It is likely that these very similar names for the Great Goddess in different cultures was the result of the export of spiritual ideas and practices "out of India" prior to the early invasions by light-skinned Aryans (probably around 1500 BC.)...


Hymn Adya-Kali-Svarupa

Hring, O Destroyer of Time,
Shring, O Terrific One,
Kring, Thou Who art beneficent,
Possessor of all the Arts,
Thou art Kamala,
Destroyer of the pride of the Kali Age,
Who art kind to Him of the matted hair,
Devourer of Him Who devours,
Mother of Time,
Thou Who art brilliant as the Fires of the final Dissolution,
Wife of Him of the matted hair,
O Thou of formidable countenance,
Ocean of the nectar of compassion,
Merciful,
Vessel of Mercy,
Whose Mercy is without limit,
Who art attainable alone by Thy mercy,
Who art Fire,
Tawny,
Black of hue,
Thou Who increasest the joy of the Lord of Creation,
Night of Darkness,
Image of Desire,
Yet Liberator from the bonds of desire,
Thou Who art (dark) as a bank of Clouds,
And bearest the crescent-moon,
Destructress of sin in the Kali Age,
Thou Who art pleased by the worship of virgins,
Thou Who art the Refuge of the worshippers of virgins,
Who art pleased by the feasting of the virgins,
Who art the Image of the virgin,
Thou Who wanderest in the kadamba forest,
Who art pleased with the flowers of the kadamba forest,
Who hast Thy abode in the kadamba forest,
Who wearest a garland of kadamba flowers,
Thou Who art youthful,
Who hast a soft low voice,
Whose voice is sweet as the cry of a Chakravaka bird,
Who drinkest and art pleased with the kadambari wine,
And Whose cup is a skull,
Who wearest a garland of bones,
Who art pleased with,
And Who art seated on the Lotus,
Who abidest in the centre of the Lotus,
Whom the fragrance of the Lotus pleases,
Who movest with the swaying gait of a Hangsa,
Destroyer of fear,
Who assumest all forms at will,
Whose abode is at Kama-rupa,
Who ever plays at the Kama-pitha,
O beautiful One,
O Creeper Which givest every desire,
Who art the Possessor of beautiful ornaments,
Adorable as the Image of all tenderness,
Thou with a tender body,
And Who art slender of waist,
Who art pleased with the nectar of purified wine,
Giver of success to them whom purified wine rejoices,
The own Deity of those who worship Thee when joyed with wine,
Who art gladdened by the worship of Thyself with purified wine,
Who art immersed in the ocean of purified wine,
Who art the Protectress of those who accomplish vrata with wine,
Whom the fragrance of musk gladdens,
And Who art luminous with a tilaka-mark of musk,
Who art attached to those who worship Thee with musk,
Who lovest those who worship Thee with musk,
Who art a Mother to those who burn musk as incense,
Who art fond of the musk-deer and art pleased to eat its musk,
Whom the scent of camphor gladdens,
Who art adorned with garlands of camphor,
And Whose body is smeared with camphor and sandal paste,
Who art pleased with purified wine flavoured with Camphor,
Who drinkest purified wine flavoured with camphor,
Who art bathed in the ocean of camphor,
Whose abode is in the ocean of camphor,
Who art pleased when worshipped with the Vija Hung,
Thou Who threatenest with the Vija Hung,
Embodiment of Kulachara,
Adored by Kaulikas,
Benefactress of the Kaulikas,
Observant of Kulachara,
Joyous One, Revealer of the path of the Kaulikas,
Queen of Kashi,
Allayer of sufferings,
Giver of blessings to the Lord of Kashi,
Giver of pleasure to the Lord of Kashi,
Beloved of the Lord of Kashi,
Thou Whose toe-ring bells make sweet melody as Thou movest,
Whose girdle bells sweetly tinkle,
Who abidest in the mountain of gold,
Who art like a Moon-beam on the mountain of gold,
Who art gladdened by the recitation of the Mantra Kling,
Who art the Kama Vija,
Destructress of all evil inclinations,
And of the afflictions of the Kaulikas,
Lady of the Kaulas,
O Thou Who by the three Vijas, Kring, Hring, Shring,
art the Destructress of the fear of Death.
(To Thee I make obeisance.)
Parvati was pleased at hearing the revelation of the auspicious Mantra of the Aadya Kalika, which yields abundant blessings, is the only means of attaining to a knowledge of the Divine essence, and leads to liberation; as also at hearing of the morning rites, the rules relating to bathing, Sandhya, the purification of Bhang, the methods of external and internal Nyasa and worship, the sacrifice of animals, Homa, the formation of the circle of worship, and the partaking of the holy food. Bowing low with modesty, the Devi questioned Shankara.

Shri Devi said:
O Sadashiva! Lord, and Benefactor of the Universe, Thou hast in Thy mercy spoken of the mode of worship of the supreme Prakriti, which benefits all being, is the sole path both for enjoyment and final liberation, and which gives, in this Age, in particular, immediate success. My mind, immersed in the ocean of the nectar of Thy word, has no desire to rise therefrom, but craves for more and more. O Deva, in the directions Thou hast given relating to the worship of the great Devi, Thou hast but given a glimpse of the hymn of praise, and of the protective Mantra. Do Thou reveal them now?

Shri Sadashiva said:
Listen, then, O Devi, Who art the adored of the worlds, to this unsurpassed hymn, by the reciting of or listening to which one becomes the Lord of all the Siddhis, (a hymn) which allays evil fortune, increases happiness and prosperity, destroys untimely death, and removes all calamities, and is the cause of the happy approach to the gracious Aadya Kalika. It is by the grace of this hymn, O Happy One, that I am Tripurari.

O Devi! the Rishi of this hymn is Sadashiva, its metre is Anushtup, its Devata is the Aadya Kalika, and the object of its use is the attainment of Dharmma, Artha, Kama, and Moksha.

O Devi! He who with firm devotion meditates upon the Parama Maya is without a doubt relieved of all dangers. For him there is never any fear, whether arising from sin or disease. For him there is ever victory and defeat never. At the mere sight of him all dangers flee. He expounds all Scriptures, enjoys all good fortune, and becomes the leader in all matters of caste and duty,and the lord among his kinsmen. In his mouth Vani ever abides, and in his home Kamala. Men bow with respect at the mere mention of his name. The eight Siddhis, such as Anima and others, he looks upon as but mere bits of grass.

Purashcharana of this hymn, which is its repetition one hundred and eight times, yields all desired fruit. This hymn of praise of a hundred names, which is the Primeval Kali Herself, if read, or caused to be read, if heard, or caused to be heard, frees from all sins and leads to union with Brahman.

Shri Sadashiva said.
I have spoken of the great hymn of the Prakriti of the Supreme Brahman; hear now the protective Mantra of the sacred Aadya Kalika. The name of the Mantra is "Conqueror of the three Worlds," its Rishi is Shiva, the verse is Anushtup, and it’s Devata the Aadya Kali.

Its Vija is the Maya Vija, its Shakti is Kama Vija, and its Kilaka is Kring. It should be used for the attainment of all desired objects.

As to those parts as have not been mentioned in the Kavacha, and are unprotected, may the Eternal Primeval Kali protect all such.

I have now spoken to Thee of the wonderful heavenly Protective Mantra of the Aadya Devi Kalika, which is known as the "Conqueror of the three Worlds".

He who repeats it at his devotions with his mind fixed upon the Aadya obtains all his desires, and she becomes propitious unto him. He quickly attains Mantra-siddhi. The lesser siddhis become, as it were, his slaves. He who is childless gets a son, he who desires wealth gains riches. The seeker of learning attains it, and whatsoever a man desires he attains the same.

The Purashcharana of this Protective Mantra is its repetition a thousand times, and this gives the desired fruit. If it be written on birch-bark, with the paste of sandal, fragrant aloe, musk, saffron, or red sandal, and encased in a golden ball, worn either on the right arm, round the neck, in the crown lock, or round the waist, then the Aadya Kali becomes devoted to its wearer, and grants him whatsoever he may desire. Nowhere has he fear. In all places he is a conqueror. He becomes ready of speech, free from ailments, long-lived and strong, endowed with all power of endurance, and an adept in all learning. He knows the meaning of all Scriptures, has Kings under his control, and holds both pleasure and emancipation in the hollow of his hand.

For men affected with the taint of the Kali Age it is a most excellent Mantra for the attainment of final liberation.

Shri Devi said:
Thou hast, O Lord! In Thy kindness told me of the Hymn and Protective Mantra; I now desire to hear of the rules relating to Purashcharana.

Shri Sadashiva said:
The rules relating to Purashcharana in the worship of the Aadya Kalika are the same as those relating to the Purashcharana in the worship with the Brahma-Mantra. For Sadhakas who are unable to do them completely, Japa, Puja and Homa, and Purashcharana may be curtailed, since it is better to observe these rites on a small scale than not to observe them at all. Now listen, O Gentle One! The while I describe to Thee the shortened form of worship. Let the wise one rinse his mouth with the Mula-Mantra, and then perform Rishi-nyasa. Let him purify the palms of the hands, and proceed to Kara-nyasa and Anga-nyasa. Passing the hands all over the body let him practice Pranayama, and then meditate, worship, and inwardly recite. This is the ceremonial for the shortened form of worship.

In this form of worship, in lieu of Homa and other rites, the Mantras may be recited four times the number prescribed in the case of each of them respectively. There is also another mode of performance. A person who, when the fourteenth day of the dark half of the month falls on a Tuesday or Saturday, worships Jaganmayi with the five elements of worship, and recites with fully attentive mind the Mantra ten thousand times at midnight and feasts believers in the Brahman has performed Purashcharana. From one Tuesday to another Tuesday the Mantra should every day be inwardly recited a thousand times. The Mantra thus recited eight thousand times is equal to the performance of Purashcharana.

In all Ages, O Devi! But particularly in the Kali Age, the Mantras of the Sacred Primeval Kalika are of great efficacy, and yield complete success. O Parvati! In the Kali Age, Kali in her various forms is ever watchful, but when the Kali Age is in full sway, then the form of Kali Herself is for the benefit of the world. In initiation into this Kalika Mantra there is no necessity to determine whether it be siddha or su-siddha, or the like, or favourable or inimical. If japa is made of it, which is both niyama and a-niyama, the Aadya Devi is pleased. The mortal, by the grace of the glorious Aadya, attains knowledge of the divine essence, and, possessed of such knowledge, is, without a doubt, liberated even while living. Beloved, there is no need here for over-exertion or endurance or penances. The religious exercises of the worshippers of the Aadya Kali are pleasant to accomplish. By the mere purification of the heart the worshipper attains all that he desires. So long, however, as the heart is not purified, so long must the worshipper practise the rites with devotion to Kula.

The carrying out of the practices ordained produces purification of the heart. The Mantra should, however, first be received from the mouth of the Guru in the case of the Brahma-Mantra. O Great Queen! Purashkriya should be done after the performance of the necessary worship and of other prescribed rites. In the purified heart knowledge of Brahman grows. And when knowledge of Brahman is attained, there is neither that which should, nor that which should not, be done.

Shri Parvati said:
O Great Deva! What is Kula, and what is Kulachara? O Great Lord! What is the sign of each of the five elements of worship? I desire to hear the truth relating to these.

Shri Sadashiva said:
Thou hast asked well, O Lady of the Kulas. Thou art indeed the Benefactress of the worshippers. Listen! For Thy pleasure I shall accurately describe to Thee these things. The Kula are Jiva, Prakriti, space, time, ether, earth, water, fire, and air. O Primeval One! the realization that all this is one with Brahman is Kulachara, and produces Dharmma, Artha, Kama, and Moksha. Those whose sins are washed away by merits acquired in various previous births by penances, alms, and faithful observance of worship, it is they whose minds are inclined in Kaulika worship. When the intelligence realizes the essence of Kaulika worship, it becomes at once purified, and the mind inclines to the lotus-feet of the Primeval Kali. The excellent worshipper versed in Kaula doctrine who has received this most excellent Vidya by the service of a good spiritual teacher, if he remains firmly attached to Kaulika worship and to the worship with the five elements of the Primeval Kalika, the Patron Devi of Kula, will enjoy a multitude of blessings in this life, and attain final liberation at its close.

The characteristic of the first element is that it is the great medicine for humanity, helping it to forget deep sorrows, and is the cause of joy. But, O Dearest One! The element which is not purified stupefies and bewilders, breeds disputes and diseases, and should be rejected by the Kaulas. Beasts bred in villages, in the air, or forest, which are nourishing, and increase intelligence, energy, and strength, are the second element. O Beautiful One! Of the animals bred in water, that which is pleasing and of good taste, and increases the generative power of man, is the third element. The characteristics of the fourth element are that it is easily obtainable, grown in the earth, and is the root of the life of the three worlds. And, O Devi, the signs of the fifth element are that it is the cause of intense pleasure to all living things, is the origin of all creatures, and the root of the world which is without either beginning or end. Know, Dearest One! That the first element is fire, the second is air, the third is water, the fourth is the earth, and, O Beauteous Face! As to the fifth element, know it to be ether, the support of the Universe. O Sovereign Mistress of Kula, he who knows Kula, the five Kula-tattvas, and Kula worship, is liberated whilst yet living.